Beholding Violence in Medieval and Early Modern Europe
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portes grátis
Beholding Violence in Medieval and Early Modern Europe
;
Taylor & Francis Ltd
11/2016
298
Mole
Inglês
9781138251618
15 a 20 dias
Descrição não disponível.
Contents: Foreword, W.J.T. Mitchell; Introduction: beholding violence, Erin Felicia Labbie and Allie Terry-Fritsch; Proof in pierced flesh: Caravaggio's Doubting Thomas and the beholder of wounds in early modern Italy, Allie Terry-Fritsch; Giovanni Pisano's marble wounds: beholding artistic self-defense in the Pisa cathedral pulpit, Matthew G. Shoaf; Beholding and touching: early modern strategies of negotiating illness, Mirella G. Pardee; The gap of death: passive violence in the encounter between the Three Dead and the Three Living, Elina Gertsman; Being beheld: Julian of Norwich's mystical surreal and the violence of vision, Christopher Taylor; Image in pain: icons, old bones and new blood, Galina Tirnanic; 'To have the pleasure of this siege': envisioning siege warfare during the European wars of religion, Brian Sandberg; Theatrum mundi: performativity, violence and metatheatre in Webster's The White Devil, Lisa Dickson; Portia's Pauline perversion: The Merchant of Venice and Romans I, Will Stockton; Violent passions: plays, pawnbrokers, and the Jews of Rome, 1539, Barbara Wisch; Beholding typology: the violence of recognition in Caravaggio's representations of the Sacrifice of Isaac, Erin Felicia Labbie; Bibliography; Index.
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Contents: Foreword, W.J.T. Mitchell; Introduction: beholding violence, Erin Felicia Labbie and Allie Terry-Fritsch; Proof in pierced flesh: Caravaggio's Doubting Thomas and the beholder of wounds in early modern Italy, Allie Terry-Fritsch; Giovanni Pisano's marble wounds: beholding artistic self-defense in the Pisa cathedral pulpit, Matthew G. Shoaf; Beholding and touching: early modern strategies of negotiating illness, Mirella G. Pardee; The gap of death: passive violence in the encounter between the Three Dead and the Three Living, Elina Gertsman; Being beheld: Julian of Norwich's mystical surreal and the violence of vision, Christopher Taylor; Image in pain: icons, old bones and new blood, Galina Tirnanic; 'To have the pleasure of this siege': envisioning siege warfare during the European wars of religion, Brian Sandberg; Theatrum mundi: performativity, violence and metatheatre in Webster's The White Devil, Lisa Dickson; Portia's Pauline perversion: The Merchant of Venice and Romans I, Will Stockton; Violent passions: plays, pawnbrokers, and the Jews of Rome, 1539, Barbara Wisch; Beholding typology: the violence of recognition in Caravaggio's representations of the Sacrifice of Isaac, Erin Felicia Labbie; Bibliography; Index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
